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Tag Archives: musical modulation
Getting From Here To There – Go Fourth…
In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading →
Posted in baroque composers, baroque era, cadence, changing keys, chord progression, common tone diminished, common tones, diminished chords, dissonance, dissonant intervals, Great American Songbook, guide tone lines, harmonic structures, Improvisation, key change, modal scales, modes, music theory, Orchestration, Shenkerian Analysis
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Tagged big band writing, changes, changing keys, chord extensions, common tone diminished modulation, dminished chords, French Impressionism, functional harmony, Greek, greek music, hollywood, Jerome Kern, klezmer, middle eastern music, modal, music, music theory, music theory guide tone lines, musical modulation, phrygian mode, section writing, shenkerian analysis, spanish music, standards
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