Tag Archives: Jerome Kern

Finding The Guide Tone Lines: “All The Things You Are”

Now that we’ve picked this tune apart in terms of structure, it’s time to find the actual guide tone lines. Now, granted  we could have done this from the get-go – our analysis of the piece was not completely necessary. … Continue reading

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Over The Bridge

There is one more example of Jerome Kern’s use of the fourth worth mentioning before turning our attention to how beautifully this piece lends itself to the use of guide tone lines – and how easy they are to find. … Continue reading

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Part 3: Not Not-Quite-As-Amazing (But Still Useful) Augmented Chord

When we arrive at the “B” section of All The Things You Are, the piece returns to the key of G major, where it started in the verse. Harmonically, this part of the piece consists of nothing more than a … Continue reading

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Going Fourth, Part 2

Before we continue with our analysis of the refrain of Jerome Kern’s  All The Things You Are,  you may wish to go back and review the recording – then review my last post. After you’ve done that, give this a listen: These … Continue reading

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Getting From Here To There – Go Fourth…

In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading

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The Mathematics of It All

If you are anything like me, you struggled with math in school. Oh, I could write like Faulkner or Hemingway, play the saxophone like Jimmy Dorsey, draw like Rodin or Picasso….but when it came to numbers, I was lost. Eventually, … Continue reading

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They Do – Except When They Don’t

“The verse was nothing – but the Chorus was Art – And its Music was enough to tear you apart…” – Joseph Moncure March, The Wild Party (1926) In my very first post to this blog, I said “…the harmonic … Continue reading

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