Tag Archives: hollywood

Getting From Here To There – Go Fourth…

In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading

Posted in baroque composers, baroque era, cadence, changing keys, chord progression, common tone diminished, common tones, diminished chords, dissonance, dissonant intervals, Great American Songbook, guide tone lines, harmonic structures, Improvisation, key change, modal scales, modes, music theory, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Guide Tone Lines In Action, Part 2

It is said that the only thing two music theorists can agree on is how a third got his analysis wrong. I’ll start out with a disclaimer: this is not  a true Shenkerian analysis of the Harry Warren classic. I … Continue reading

Posted in big band singers, Big Bands, changes, chord progression, common tones, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , | 1 Comment

Guide Tone Lines in Action, Part 1

Today, let’s start off with a short musical interlude: The song of which this is the definitive recording will be the example used for the next  couple of posts. But before going much further, I want to talk about someone … Continue reading

Posted in Big Bands, changes, chord progression, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Improvisation, neighbor tones, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , | 6 Comments