Tag Archives: heinrich schenker

Over The Bridge

There is one more example of Jerome Kern’s use of the fourth worth mentioning before turning our attention to how beautifully this piece lends itself to the use of guide tone lines – and how easy they are to find. … Continue reading

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The Mathematics of It All

If you are anything like me, you struggled with math in school. Oh, I could write like Faulkner or Hemingway, play the saxophone like Jimmy Dorsey, draw like Rodin or Picasso….but when it came to numbers, I was lost. Eventually, … Continue reading

Posted in baroque composers, changes, chord progression, contrary motion, counterpoint, Great American Songbook, guide tone lines, harmonic structures, mathematics, music theory, Orchestration, percussion, rhythm, rudiments, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , , | 3 Comments

The Incredible and Amazing Diminished Seventh Chord

I have to give one of my former instructors credit for this one. Dr. Peter Gries, who until his recent retirement was the music department chairman at my old alma mater, spent quite a bit of time on this in … Continue reading

Posted in cadence, central washington university, changes, chord progression, common tone diminished, common tones, diminished chords, guide tone lines, harmonic structures, Improvisation, modulation, music theory, neighbor tones, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , | 11 Comments

Point and Counterpoint – and Being Contrary

Before we attempt to apply counterpoint to the second ending of the “A” section of our example,  I’m going to go through a brief refresher course (or introduction, for you newbies) as to what counterpoint actually is. After all, “counterpoint” … Continue reading

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Guide Tone Lines In Action, Part 2

It is said that the only thing two music theorists can agree on is how a third got his analysis wrong. I’ll start out with a disclaimer: this is not  a true Shenkerian analysis of the Harry Warren classic. I … Continue reading

Posted in big band singers, Big Bands, changes, chord progression, common tones, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , | 1 Comment

Guide Tone Lines in Action, Part 1

Today, let’s start off with a short musical interlude: The song of which this is the definitive recording will be the example used for the next  couple of posts. But before going much further, I want to talk about someone … Continue reading

Posted in Big Bands, changes, chord progression, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Improvisation, neighbor tones, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , | 6 Comments