Tag Archives: Greek

Getting From Here To There – Go Fourth…

In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading

Posted in baroque composers, baroque era, cadence, changing keys, chord progression, common tone diminished, common tones, diminished chords, dissonance, dissonant intervals, Great American Songbook, guide tone lines, harmonic structures, Improvisation, key change, modal scales, modes, music theory, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

They Do – Except When They Don’t

“The verse was nothing – but the Chorus was Art – And its Music was enough to tear you apart…” – Joseph Moncure March, The Wild Party (1926) In my very first post to this blog, I said “…the harmonic … Continue reading

Posted in changes, chord progression, european pop songs, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Latin Music, laws of physics, music theory, physics | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments