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Tag Archives: fugue
Point and Counterpoint – and Being Contrary
Before we attempt to apply counterpoint to the second ending of the “A” section of our example, I’m going to go through a brief refresher course (or introduction, for you newbies) as to what counterpoint actually is. After all, “counterpoint” … Continue reading →
Posted in baroque composers, baroque era, canon, contrary motion, counterpoint, fugue, guide tone lines, harmonic structures, js bach, pachelbel, Shenkerian Analysis
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Tagged big band orchestration, big bands, counterpoint, fugue, functional harmony, Glenn Miller, guide tone lines, guidetone lines blog, heinrich schenker, js bach, music, music theory, pachelbel's canon, shenkerian analysis
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