Tag Archives: French Impressionism

Getting From Here To There – Go Fourth…

In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading

Posted in baroque composers, baroque era, cadence, changing keys, chord progression, common tone diminished, common tones, diminished chords, dissonance, dissonant intervals, Great American Songbook, guide tone lines, harmonic structures, Improvisation, key change, modal scales, modes, music theory, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Hi, Neighbor!

  The first step in constructing a guide tone line for a specific voice is to identify the common tones – single pitch classes that are common to two adjacent harmonic structures (basically, two different chords that share a single … Continue reading

Posted in cadence, chord progression, common tones, guide tone lines, harmonic structures, neighbor tones | Tagged , , , , , , , , | 2 Comments