Tag Archives: dminished chords

Getting From Here To There – Go Fourth…

In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading

Posted in baroque composers, baroque era, cadence, changing keys, chord progression, common tone diminished, common tones, diminished chords, dissonance, dissonant intervals, Great American Songbook, guide tone lines, harmonic structures, Improvisation, key change, modal scales, modes, music theory, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

The Incredible and Amazing Diminished Seventh Chord

I have to give one of my former instructors credit for this one. Dr. Peter Gries, who until his recent retirement was the music department chairman at my old alma mater, spent quite a bit of time on this in … Continue reading

Posted in cadence, central washington university, changes, chord progression, common tone diminished, common tones, diminished chords, guide tone lines, harmonic structures, Improvisation, modulation, music theory, neighbor tones, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , | 11 Comments