Category Archives: truncated harmonies

Lucky Thirteenth

Today being Friday the 13th, I thought this might be an appropriate topic. However, if you suffer from triskedekaphobia (fear of the number 13), you may want to skip this one. On the other hand, if you’re looking to get … Continue reading

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Posted in 12 bar blues, 13th chords, blues progression, changes, chord extensions, chord progression, color tones, common tones, film scores, flatted seventh, guide tone lines, guitar shortcuts, harmonic structures, Hollywood Scores, mathematics, thirteenth chords, truncated chords, truncated guitar chords, truncated harmonies, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Lucky Thirteenth

The Shell and More

When it comes to extended harmonies, the most important tones are the third, seventh and ninth. So, in the key of C (major, dominant and minor), these are: Of course, this doesn’t make much sense in the ear until the … Continue reading

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Posted in changes, chord extensions, chord progression, color tones, guide tone lines, guitar shortcuts, harmonic structures, modal scales, modes, music theory, truncated chords, truncated harmonies | Tagged , , , , , , , , , , , , , , , , , | 1 Comment