Category Archives: key change

Colors of The Wind (The Song)

Before I continue on from where I left off  with 13th chords back on Friday the 13th of April, I’m going to respond to a request made by one of my readers and take a look at a modern pop … Continue reading

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Posted in alan menken, algonquian, changes, chord extensions, chord progression, color tones, disney musicals, dissonance, dissonant intervals, film scores, guide tone lines, harmonic structures, Hollywood Scores, john smith, key change, modal scales, music theory, pentatonic scale, pocahantas, powhatan indian, stephen schwarz, us history | Tagged , , , , , , , , , , , , , , , , , , | 8 Comments

Part 3: Not Not-Quite-As-Amazing (But Still Useful) Augmented Chord

When we arrive at the “B” section of All The Things You Are, the piece returns to the key of G major, where it started in the verse. Harmonically, this part of the piece consists of nothing more than a … Continue reading

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Posted in cadence, changes, changing keys, chord progression, common tone diminished, common tones, diminished chords, Great American Songbook, harmonic structures, Improvisation, key change, modulation, music theory, Orchestration | Tagged , , , , , , , , , | Comments Off on Part 3: Not Not-Quite-As-Amazing (But Still Useful) Augmented Chord

Going Fourth, Part 2

Before we continue with our analysis of the refrain of Jerome Kern’s  All The Things You Are,  you may wish to go back and review the recording – then review my last post. After you’ve done that, give this a listen: These … Continue reading

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Posted in cadence, changes, changing keys, chord progression, common tone diminished, Great American Songbook, guide tone lines, harmonic structures, key change, modulation, music theory | Tagged , , , , , , , , , , , | Comments Off on Going Fourth, Part 2

Getting From Here To There – Go Fourth…

In the last post, we examined the verse of Jerome Kern’s All The Things You Are – which, while not especially memorable from a melodic standpoint when compared to what follows (Oscar Hammerstein’s lyrics here do set up the refrain … Continue reading

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Posted in baroque composers, baroque era, cadence, changing keys, chord progression, common tone diminished, common tones, diminished chords, dissonance, dissonant intervals, Great American Songbook, guide tone lines, harmonic structures, Improvisation, key change, modal scales, modes, music theory, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments