Category Archives: Hollywood Scores

Colors of the Wind – Guide Tone Lines Revealed, Part II

As you may recall from the first post about this particular piece, the harmonic structures in the bridge are more sophisticated than the rest of the song. This is due to the use of an extended chord, in the word … Continue reading

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Posted in changes, chord extensions, color tones, disney musicals, guide tone lines, Hollywood Scores, modes, pocahantas, Shenkerian Analysis | Tagged , , , , , | 1 Comment

Colors of the Wind – Guide Tone Lines Revealed, Part I

Because all the harmonic structures of this piece are closely related, finding the guide tone lines for Alan Mencken’s Colors of the Wind is a simple matter. But before going further, it will be helpful to review what is meant … Continue reading

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Posted in alan menken, algonquian, cadence, changes, chord progression, common tones, disney musicals, film scores, guide tone lines, guitar shortcuts, harmonic structures, Hollywood Scores, john smith, music theory, Orchestration, pentatonic scale, pocahantas, powhatan indian, stephen schwarz, us history | Tagged , , , , , , , , , | Comments Off on Colors of the Wind – Guide Tone Lines Revealed, Part I

Colors of The Wind (The Song)

Before I continue on from where I left off  with 13th chords back on Friday the 13th of April, I’m going to respond to a request made by one of my readers and take a look at a modern pop … Continue reading

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Posted in alan menken, algonquian, changes, chord extensions, chord progression, color tones, disney musicals, dissonance, dissonant intervals, film scores, guide tone lines, harmonic structures, Hollywood Scores, john smith, key change, modal scales, music theory, pentatonic scale, pocahantas, powhatan indian, stephen schwarz, us history | Tagged , , , , , , , , , , , , , , , , , , | 8 Comments

Lucky Thirteenth

Today being Friday the 13th, I thought this might be an appropriate topic. However, if you suffer from triskedekaphobia (fear of the number 13), you may want to skip this one. On the other hand, if you’re looking to get … Continue reading

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Posted in 12 bar blues, 13th chords, blues progression, changes, chord extensions, chord progression, color tones, common tones, film scores, flatted seventh, guide tone lines, guitar shortcuts, harmonic structures, Hollywood Scores, mathematics, thirteenth chords, truncated chords, truncated guitar chords, truncated harmonies, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Lucky Thirteenth

They Do – Except When They Don’t

“The verse was nothing – but the Chorus was Art – And its Music was enough to tear you apart…” – Joseph Moncure March, The Wild Party (1926) In my very first post to this blog, I said “…the harmonic … Continue reading

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Posted in changes, chord progression, european pop songs, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Latin Music, laws of physics, music theory, physics | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Guide Tone Lines In Action, Part 3 – Colors of the Winds

So – what’s wrong with the guide tone line in the second ending in terms of orchestration? Nothing, provided we drop the line an octave. In simplest terms, the second ending of the “A” section in the current example (Harry … Continue reading

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Posted in Big Bands, cadence, changes, chord progression, common tones, counterpoint, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Improvisation, Orchestration | Tagged , , , , , , , , , , , , , , , | 1 Comment

Guide Tone Lines In Action, Part 2

It is said that the only thing two music theorists can agree on is how a third got his analysis wrong. I’ll start out with a disclaimer: this is not  a true Shenkerian analysis of the Harry Warren classic. I … Continue reading

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Posted in big band singers, Big Bands, changes, chord progression, common tones, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , , , , , , | 1 Comment

Guide Tone Lines in Action, Part 1

Today, let’s start off with a short musical interlude: The song of which this is the definitive recording will be the example used for the next  couple of posts. But before going much further, I want to talk about someone … Continue reading

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Posted in Big Bands, changes, chord progression, Great American Songbook, guide tone lines, harmonic structures, Hollywood Scores, Improvisation, neighbor tones, Orchestration, Shenkerian Analysis | Tagged , , , , , , , , , , , , , | 6 Comments