Category Archives: fugue

Point and Counterpoint – and Being Contrary

Before we attempt to apply counterpoint to the second ending of the “A” section of our example,  I’m going to go through a brief refresher course (or introduction, for you newbies) as to what counterpoint actually is. After all, “counterpoint” … Continue reading

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Posted in baroque composers, baroque era, canon, contrary motion, counterpoint, fugue, guide tone lines, harmonic structures, js bach, pachelbel, Shenkerian Analysis | Tagged , , , , , , , , , , , , , | 2 Comments